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Learn To Be A Fashion Designer! Glamour Girl Sketchbook
You can be a fashion designer with the Learn to be a Fashion Designer Sketchbook! Follow the tips and tricks inside to create your own fun style. This adorable 96-page sketchbook has a spiral binding which makes it easy for budding designers to lay flat for ease of use, and also has 3 sheets of cool stickers to inspire and embellish your fantastic designs! Featuring information on different design styles and blank templates to illustrate designs on, your skills can be displayed in all their glory in these amazing Glamour Girl titles!
Drawing Fashion & Style
A fabulous step-by-step guide to fashion drawing.
Beautiful full-colour illustrations will inspire readers, and easy-to-follow steps teach the reader how to create their own fashion drawings.
The book includes a comprehensive introduction section with tips on the best drawing tools, fashion line styles, inking and colouring, and basic figure construction.
About the Author
British designer and illustrator, Hilary Lovell, has been working in the fashion industry for fourteen years. She has worked for high-profile fashion houses such as Giorgio Armani, Hugo Boss, and Estee Lauder, as well as British High Street chains Marks and Spencer and Next. She was the Senior Fashion Designer for Sindy dolls and has designed children's clothing and nursery ranges for the UK and worldwide.
Maker Projects For Kids Who Love Fashion
In this highly visual title, readers will find out where fashion trends originate, learn about cutting-edge technologies such as digital prints and smart clothing, and discover how to use up-cycling to create original fashion statements. They will also learn about choosing patterns and textiles, and be instructed on how to do design techniques such as basic sewing, beading, and stenciling. The book includes several imaginative Maker projects to inspire readers to create works of fashion art.
Bio-inspired Materials And Sensing Systems
Can scientists and engineers replicate Nature and develop systems that operate in extreme environments?
Bio-inspiration is an established concept which is developing to meet the needs of the many challenges we face particularly in defence and security. This book explores the potential of bio-inspired materials and sensing systems together with examples of how they are being implemented. It is not an exhaustive study of the subject but provides an overview of how bio-inspired or -derived approaches can be used to enhance components, systems and system of systems for defence and security applications.
Readers will gain an awareness of the complexity and versatility of bio-inspired components as well as an understanding of how these technologies can be applied in a variety of operational scenarios. Consideration is given to using a conceptual model that can be deployed in distributed or autonomous operations. Using this model, bio-inspiration with behavioural science plays a major role in identification, movement, searching strategies and pattern recognition for chemical and biological detection. Examples focus on both learning new things from nature that have application to the defence and security areas and adapting known discoveries for practical use by these communities.
This graduate level monograph provides an increased awareness of the need for more sophisticated, networked sensors and systems in the defence and security communities and will be of interest to both specialists in this area and science and technology generalists.
Fashioning The Frame
The body has been the focus of much recent critical attention, but the clothed body less so. In answering the need to theorize dress, this book provides an overview of recent scholarship and presents an original theory of what dress means in relation to the body.
Identity relies on boundaries to individuate the self. Dress challenges boundaries: it frames the body and serves both to distinguish and connect self and ‘Other’. The authors argue that clothing is, then, both a boundary and not a boundary, that it is ambiguous and produces a complex relation between self and ‘not self’. In examining the role of dress in social structures, the authors argue that clothing can be seen as both restricting and liberating individual and collective identity.
In proposing that dress represents ‘a deep surface,’ a manifestation of the unconscious at work through apparently superficial phenomena, the book also questions the relationship between surface and depth and counters the notion of dress as disguise or concealment. The concept of the gaze and the role of gender are approached through a discussion of masks and veils. The authors argue that masks and veils paradoxically combine concealment and revelation, ‘truth’ and ‘deception’. Here the body and dress are both seen as forms of absence, with dress concealing not the body, but the absence of the physical body.
This provocative book is certain to become a landmark text for anyone interested in the intersection of dress, the body and critical theory.
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