From the depths of the ocean to the high fashion streets of Paris, read all about Barbies adventures in these fabulous paperback story books filled with fashion, friendship and fun!
This book seeks to address and fill a puzzling omission in contemporary critical IR scholarship. Following on from the aesthetic turn in IR, critical and 'postmodern' IR has produced an impressive array of studies into movies, literature, music and art and the way these media produce, mediate, and represent international politics. By contrast, the proponents of the aesthetic turn have consistently overlooked and ignored fashion as a source of knowledge about global politics.
Yet stories about the political role of fashion abound in the news media. In Afghanistan, the terror of the Taliban regime and the plight of women was illustrated by reference to the burqa that women are supposedly forced to wear there. In Sudan, recently a female writer and activist successfully challenged the government over her right to wear trousers in public. In Europe, the debate on women's headscarves has politicised a garment item and turned it into a symbol of fundamentalism and oppression. In the war on terror, orange jumpsuits are used on both sides to dehumanise and mark the figure of the 'detainee'. Yet the politics of fashion go beyond these examples of the uses and abuses of textiles and fabrics for political purposes, extending into its very 'grammar' and vocabulary.
The contributions to this book will investigate the politics of fashion from a variety of perspectives, addressing theoretical as well as empirical issues, establishing the critical study of fashion and its protagonists as a central contribution to the aesthetic turn in international politics.
This work will be a unique contribution to the field and will be of interest to students and scholars of international relations, critical IR theory and popular culture and world politics.
Seven-year-old Kylie "Cheeks" Acosta is the youngest of three girls, and there is another baby on the way. Cheeks gave herself another nickname when, at four years old, she dressed up in as many clothes as she could fit and announced she was "Fashion Fighter," a sort of clothing superhero. But Cheeks doesn't want to be called Fashion Fighter anymore; she has more important issues on her mind. A smart and curious second-grader, Cheeks meets her biological father, whom she calls R-Daddy, for the first time. She discovers that he lost his legs in the war in Iraq. When she hears about soldiers and innocent children dying, Cheeks feels sad, frustrated, and anxious to do something about it. Rallying her fellow students, Cheeks starts a campaign to educate people about the war. She discovers that not everyone agrees with her, which helps Cheeks make sense of her own growing beliefs about the world around her. But the war is only one of Cheeks' concerns-she has to fight another battle of her own right close to home. Readers will be rooting for Cheeks as she valiantly stands up for what she knows in her heart to be right.
This is the first book to apply the Clausewitzian Trinity of 'passion, chance, and reason' to the experience of real war. It explores the depth and validity of the concept against the conflicts of former Yugoslavia - wars thought to epitomise a post-Clausewitzian age. In doing so it demonstrates the timeless message of the Trinity, but also ties the Trinitarian idea back into Clausewitz's political argument. Intended to build on the existing corpus of scholarship, this book differs from the existing literature in two ways. By applying the Trinity to the wars of former Yugoslavia 1991-1995, it explores war at its micro-foundations, assessing the complex cause-and-effect nexus of reciprocity produced by actions between belligerents embroiled in dynamic competition perpetuated by their own interaction. Providing valuable insights into the complexities of real war fuelled by passion, undermined by chance, and shaped by reason, it is the first study to bridge the Clausewitzian world of theory with real experience. Examining each part of the triad separately, the book explores the multiple manifestations of hostility and chance, before then assessing the influence of these elements on the policies of the belligerents as the war evolved.
Fashion and celebrity may be twenty-first century obsessions, but they were also key concepts in Regency culture. Both celebrated and condemned for their popularity, silver fork novels were extremely prolific during this period. These texts detailed the lives and loves of London fashionables and in doing so became a form of conduct book, offering guidelines for members of the socially aspirant middle class. Wilson looks at the social and literary impact of this significant genre and charts its role in the development of the novel as a form and its status in the literary marketplace.
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